Snocap - the way of the Napster…

Sunday, October 14th, 2007

Snocap was and still is a great idea. Putting control into the artists and labels hands, allowing them to sell their tunes directly form their website/blog/myspace pages. The only problem these days is that nobody wants to pay for music and as a result Snocap is laying off 60% of its staff and is getting ready to sell on.

the company’s music stores just weren’t catching on fast enough and its time to sell the company

The music industry currently requires that anybody getting involved from a distribution or technology point of view must be extremely AGILE, or they really don’t stand a chance. Things are changing too quickly to be hiring massive teams and making two year plans, it’s like the shift from sheet music to recorded music, adapt or die.

The Devil is in the details

Friday, February 9th, 2007

John Dee

exhibit 1)

This is John Dee – a leading 16th C intellectual, astronomer, astrologer, devout Christian and prolific occultist. He is probably the originator of archetypal wizard “He was tall and slender. He wore a gown like an artist’s gown, with hanging sleeves, and a slit…. A very fair, clear sanguine complexion… a long beard as white as milk. A very handsome man”. He was also (occasionally) in the pay of Queen Elizabeth the first, and I’ve heard rumours that he was also a spy, who’s code was 007.

Interesting guy – the occult side is what fascinates people the most of course… he went through a phase of Angelic communication, through a medium (and quite possibly charlatan) named Edward Kelley… angels dictating long passages (enough to fill several books) in Enochian (the angelic language) which were dutifully transcribed, collected, collated.

I came across some of these a couple of years back – page after page after page of incredible detail – intricate symbols and diagrams like sudokus on acid, and immediately the computer programmer in me kicked in with something approaching recognition, and I thought “Oh my god, you poor bastard. What have you done?”

exhibit 2)

The modern Eula. Every time you buy a piece of music, a movie, software etc etc you are apparently entering into a contract… hundreds of lines of densely worded legalese will be secreted away somewhere, sometimes prominent, sometimes not. These artifacts are quite unique in the sphere of creative writing in that they’re specifically designed NOT to be read by the people who are supposed to read them.

AND NO ONE EVER READS THEM

They are still about communication though, at a different level. Here’s what I think: they are a veiled threat. They are the curse over the pharaoh’s tomb… they say “Tremble ye, for thou art bound by that which is beyonde thy reckoning, and if it is HIS will, ye shall render unto Satan that which is Satan’s”. There as been a bit of fuss recently over a report that Eulas are An epidemic of lawsuits waiting to happen... and really this should come as no surprise, if you have hundreds of millions of people regularly signing contracts that they’ve never read.

So.

Welcome to Nick Taylor’s Law of the Minimum: “Complexity arises from flawed assumptions”.

If an answer to a question is complicated, then you’re probably asking the wrong question. Poor old John Dee went off on (what was almost certainly) a wrong tangent, and having one of the most powerful minds of his era, was able to pursue it down blind alleys to an extent that would have floored a more conventional intellect far, far earlier. Today we have the collective wisdom of the most powerful legal minds that money can buy, constructing elaborate legal artifacts that no one ever reads, committing people to terms that they consistently break, and really don’t give a flying fuck about in any case.

Complexity has a fractal-like way of generating more complexity, and there is no end-point. Nothing resolves, you just wind up with endless self-generating caveats. As a programmer, you develop an instinct for this – whenever you see a mad bit of code, you generally know that in the long run you’ll need to stop asking “how?” and start asking “why?”

I think that Eulas (like DRM) are (probably) the right answer to the wrong question. The question is, what’s the right question.

The answer to that one I suspect is “do we need the copyright cartels?”

Sorry.

In-store music turns off shoppers

Monday, September 11th, 2006

“British retailer Marks & Spencer is getting an earful from shoppers who don’t like the store’s new policy of allowing music to be played in its 400 outlets.The music is part of the company’s re-branding, but shoppers are planning a protest to demand that Marks & Spencer go back to the good old days of its no-music policy, the Daily Mail reported.”

So the “Daily Mail” readers don’t like music while they shop? It seems that an “anti-noise” group called “pipedown” has organized a protest, probably a very quiet one.

More@upi

Gracenote, music publishers in lyrics deal

Friday, July 14th, 2006

U.S. digital entertainment company Gracenote on Thursday said it obtained licenses to distribute lyrics as music publishers mulled legal action against Web sites that provide them without authorization.

“When we first approached the publishers with this, they were excited. They thought lyrics had been an untapped resource for them and there’s quite a bit of lyrics being taken for free on the Web,” Ross Blanchard, Gracenote’s vice president of business development, told Reuters in an interview.

More@washingtonpost

Indie labels want copyright shift

Thursday, July 13th, 2006

The UK’s independent music labels want a change in the law so internet service providers (ISPs) become liable for illegal file-sharing by their users. The Association of Independent Music (Aim) has outlined the plans in a discussion on copyright reform.

Aim is concerned the internet has made it easier for people to share music and breach record firms’ copyright. The organisation wants a fresh approach to copyright law that would cover the role of ISPs in music sharing.

More@bbc

Pumping Up Online Music, Video Ads

Wednesday, July 12th, 2006

Pump Audio launches an editing tool that lets people license music to create video ads for Web sites.

A company that helps independent musicians and artists license music to television studios and advertising agencies launched a service aimed at the growing crop of amateur filmmakers popping up on the Internet.

Pump Audio Inc. on Monday rolled out MyPump Soundtrack, a Web-based service that provides professional and amateur content producers the ability to license songs. The five-year-old company based in Hudson Valley, N.Y., typically serves television networks from NBC to MTV.

MyPump Soundtrack allows creators to view their video while searching through the Pump Audio catalog by genre, mood and speed to find the perfect track to match to their production. There are about 65,000 pieces from which to chose, ranging from jazz and classical instrumentals to hip hop and rock bands.

More@informationweek

The Mothership is emerging…..

Thursday, April 6th, 2006

The first compilation release from Retro Elektro Records, “the Mothership”, will soon be available from most on-line retailers. This compilation really shows how Berkhouse/Snyder have matured as songwriters and producers, proving that “it’s really all about the music”. This hot CD features tracks performed by the male vocal act, “Berkhouse/Snyder”, and the sultry, sexy, sassy sounds of Katie Janes. The Mothership features songs done in retro, vocal trance, pop, and electro styles. Working with industry big-wigs Curtis Urbina, Dominique Toulon, and DJ Strobe, this new compilation is sure to be a hit!!! Be sure to check our official site www.retroelektro.com All tracks available for licensing. Contact: berkhouse@retroelektro.com

Underdog Indie Label Outranks Music Industry Giants: Magnatune Captures Number One Google Spot Over Sony, ASCAP, and BMI

Monday, March 13th, 2006

Independent record label Magnatune (www.magnatune.com) today declared David-and-Goliath style victory over several large, highly established music industry organizations when it announced it currently holds the number one Google position for the search term “music licensing,” beating out “big four” record label Sony Music as well as powerful licensing organizations ASCAP and BMI. It’s estimated that ASCAP and BMI collect approximately 1.3 billion dollars in music licensing fees annually. (more…)

Mobile Dance Music Licensing Opportunity

Tuesday, April 5th, 2005

YR Media are currently looking for any label interested in licensing classic or breaking dance tracks into mobile operators and portals in the UK, Europe and the Far East.

We are looking to license truetones, mobile video and wallpapers for immediate use. If you think you may have something suitable and want to speak further, please contact seth@yrmedia or call +44 117 9250100.

Music Industry Veterans Launch digitalmiX Music Licensing Venture

Tuesday, October 26th, 2004

Vincent Castellucci, former senior director of licensing at the Harry Fox Agency and Peter Giles, president of Giles Communications have launched digitalmiX [www.digitalmix.com], an online source for music supervisors looking for new, commercially-released music for their productions.

Designed to be fast, efficient, intuitive and flexible, digitalmiX allows music supervisors to search by artist’s name, song title, genre, instrument, mood or any combination of criteria. Search results display quickly, and even allow the user to listen to 30-second samples of digitalmiX’s expansive song collection. Once a license request for a song or collection of songs is submitted to digitalmiX, the company can normally grant licenses within 24 hours. [more @ www.businesswire.com]