Download A Song — Lose Your Loan

Wednesday, December 12th, 2007

Just found this post over at the excellent Wiretap site. Basically a new government initiative in the states will stop a schools funding for EVERY student if one of the is found illegally downloading copyrighted material…

The real eye opener: noncompliant schools would lose all their federal funding, for all their students. No more Pell Grants. No more federal financial aid. No more student loans. This is not just draconian punishment for students who break the law, this punishes all students at that institution even if they did nothing!

Schools would be required to endorse a “legal alternative”. Will we start to see the big media companies courting schools like they have done with radio stations?

Pirates, Nails, Digg and the Intention Economy.

Sunday, October 7th, 2007

Well speaking of which (and not to put too fine a point on it) Trent Reznor’s
carefully crafted foray into the Pirate Bay looks like an absolute no-brainer to me… regardless of the corporate strings being pulled/cut etc…

If you get a bit of this :

“Before we look at full-fledged CROWD CLOUT, let’s start with one of its prerequisites, and a huge business opportunity waiting to happen in its own right: getting consumers to reveal their intentions”

With this :

http://digg.com/music/RIAA_claims_rights_to_all_artists_royalties

“I release some of my work under the CC license so sites like soma.fm and other people making videos can use my material without hunting me down to get my permission. But it seems SoundExchange is playing the job of the heavy here whether I like or not. Well, I don’t like it. How can this compulsory license override my free and open CC license. this crap just blows me away.”

the distillation of which is overwhelmingly:

“Fuck the RIAA.”

Which on Digg is pretty unusual – normally they can’t agree on anything.

Is Digg market research?... any kind of social barometer at all?

Dunno. It is to me.

What NIN are doing may just be paying cynical lip-service to one of the more enduring aspects of teen-spirit… but to be honest, at this point, for someone like NIN to NOT be positioning themselves in diametric opposition to the RIAA would be to be blindly, suicidally out of touch with their own culture.

$9,500 per track for Illegal music downloader

Sunday, October 7th, 2007

Since this post last week Jammie Thomas, single parent mother of two has been fined $220,000 for sharing 24 tracks illegally, despite still protesting her innocence.

Read the full story here

Also, if you feel the need to help her out in some way visit this website where you can donate money through paypal and read up on her full story…

Music Download Case Goes to Jury

Thursday, October 4th, 2007

An attorney for six major music companies urged a federal jury Thursday to find a Minnesota woman liable for damages for illegally downloading and sharing music online, activity he said has gnawed at the industry’s bottom line.

Record companies have filed some 26,000 lawsuits since 2003 claiming their music’s been misused, but the case against Jammie Thomas, a mother of two from Brainerd, is the first to go to trial. Many other defendants settled by paying the record companies a few thousand dollars.

Read more >

The Devil is in the details

Friday, February 9th, 2007

John Dee

exhibit 1)

This is John Dee – a leading 16th C intellectual, astronomer, astrologer, devout Christian and prolific occultist. He is probably the originator of archetypal wizard “He was tall and slender. He wore a gown like an artist’s gown, with hanging sleeves, and a slit…. A very fair, clear sanguine complexion… a long beard as white as milk. A very handsome man”. He was also (occasionally) in the pay of Queen Elizabeth the first, and I’ve heard rumours that he was also a spy, who’s code was 007.

Interesting guy – the occult side is what fascinates people the most of course… he went through a phase of Angelic communication, through a medium (and quite possibly charlatan) named Edward Kelley… angels dictating long passages (enough to fill several books) in Enochian (the angelic language) which were dutifully transcribed, collected, collated.

I came across some of these a couple of years back – page after page after page of incredible detail – intricate symbols and diagrams like sudokus on acid, and immediately the computer programmer in me kicked in with something approaching recognition, and I thought “Oh my god, you poor bastard. What have you done?”

exhibit 2)

The modern Eula. Every time you buy a piece of music, a movie, software etc etc you are apparently entering into a contract… hundreds of lines of densely worded legalese will be secreted away somewhere, sometimes prominent, sometimes not. These artifacts are quite unique in the sphere of creative writing in that they’re specifically designed NOT to be read by the people who are supposed to read them.

AND NO ONE EVER READS THEM

They are still about communication though, at a different level. Here’s what I think: they are a veiled threat. They are the curse over the pharaoh’s tomb… they say “Tremble ye, for thou art bound by that which is beyonde thy reckoning, and if it is HIS will, ye shall render unto Satan that which is Satan’s”. There as been a bit of fuss recently over a report that Eulas are An epidemic of lawsuits waiting to happen... and really this should come as no surprise, if you have hundreds of millions of people regularly signing contracts that they’ve never read.

So.

Welcome to Nick Taylor’s Law of the Minimum: “Complexity arises from flawed assumptions”.

If an answer to a question is complicated, then you’re probably asking the wrong question. Poor old John Dee went off on (what was almost certainly) a wrong tangent, and having one of the most powerful minds of his era, was able to pursue it down blind alleys to an extent that would have floored a more conventional intellect far, far earlier. Today we have the collective wisdom of the most powerful legal minds that money can buy, constructing elaborate legal artifacts that no one ever reads, committing people to terms that they consistently break, and really don’t give a flying fuck about in any case.

Complexity has a fractal-like way of generating more complexity, and there is no end-point. Nothing resolves, you just wind up with endless self-generating caveats. As a programmer, you develop an instinct for this – whenever you see a mad bit of code, you generally know that in the long run you’ll need to stop asking “how?” and start asking “why?”

I think that Eulas (like DRM) are (probably) the right answer to the wrong question. The question is, what’s the right question.

The answer to that one I suspect is “do we need the copyright cartels?”

Sorry.

Youtube is the New Punk.

Saturday, February 3rd, 2007

Oh dear god, I do hope not, but all the signs are there.

Every ten years or so, at the end of every decade, there seems to be this new wave of destructive creativity, widely derided by the old guard (where’s the skill? where’s the substance? that’s not music, it’s just a noise etc) but very popular among the next generation, basically because it short-cuts the learning curve and well… anyone can do it. And it’s their’s.

So we had acid-rock in the 60s, punk in the 70s, rave-music in the 80s… I once heard Tony Wilson say that every ten years there’s a new wave of music… and right now the music business is worse than it was at the worst part of the 80s, so we’re due for another revolution right now.

That was 1998 and unfortunately nothing happened.

We skipped a decade. However (checks watch) it’s that time again. Time for this decade’s flooding of the Nile, time for the longbows at Agincourt… Time for something new.

So. Take a look around, what do you see? Millions of kids on Myspace each with their own 15 pixels of fame, and more importantly, on youtube making their own videos out of other people’s music. It isn’t about money – it’s about getting as many other kids as possible going (like) OMG, WTF, LOL – check this out!!!.

But where’s the skill? Where’s the substance? That’s not music etc.

Actually, some them are pretty good
I think this girl managed to get some sort of TV deal off the back of her Youtube activities, but like, whatever.

Is this it? Must be incredibly exciting if you’re 17… and like, Doing It. If you’re not – if you’re still getting up to speed with your pre-CBS Strat, doing your umpteenth rehearsal for your umpteenth gig, you probably don’t quite get it – even though (and this tends to be the way with all these things) everyone’s invited.

Actually, I have a confession to make.

All of the above was just an elaborate roundabout way of leading into…

OMG, WTF, LOL… Check this out!!!

This guy takes lip-syncing into whole new dimensions of weirdness. This is the double-album, gate-fold, rock-opera concept-project… it takes the pinnacle of David Lynch’s art… the narrowed the gap between cosy and creepy, and refines it about 1000 times..

Fast forward to the 7th minute or so… Arrrghhhh!!! Holy Fuck.

IPOD users, thieves…

Monday, September 18th, 2006

The Guardian is reporting that 80% of IPOD owners do not pay for digital music.

“Free activity – both legal and otherwise – significantly outweighs paid activity,” said Mark Mulligan, the vice-president and research director at JupiterResearch.

Hmmm… I wonder how they figured this out. Let’s see. If I have a 60gb IPOD, and let’s assume that a track is 5mb (just for the sake of easier maths), that works out at about 200 tracks per gigabyte. So if I’ve got 60gb, for it to be full I need about 12,000 tracks in there. At 79p per track that works out at about 9480.00. In conclusion anybody with a full IPOD is either very passionate about their music or something else. L:L wonders if this is how Jupiter does their research?
Full article at Guardian Unlimited

Sales Of Music-Enabled Phones Double

Wednesday, August 16th, 2006

As expected, mobile phone sales dipped a bit in the first half of 2006, while sales of music-enabled phones rose to 10% of all shipments in the second quarter, up from 5% in the same period a year ago.

The U.S. mobile-phone market remained strong in the first half of the year, with sales for music-enabled devices doubling since last year.

Manufacturers shipped 67 million units, a decrease of less than 2 percent from the second half of last year, The NPD Group said. Sales reached nearly $4.4 billion, after rebates and promotions.

More@informationweek

Music sales hit new low since 1994

Thursday, July 27th, 2006

LOOKING to beat the heat? Visit a record store — the aisles are apparently both chilly and empty these days, at least if you use the Nielsen SoundScan album sales chart as a thermometer.

Only one CD sold more than 100,000 copies in the U.S. last week — “Now That’s What I Call Music!, Vol. 22,” which sold 207,000 copies. Even that had a tinge of disappointment to it; it marked a 48% tumble from the previous week, when “Now” debuted at No. 1 on the chart. Billboard.com reported Wednesday that the malaise was one for the record books. The site said that overall music sales last week hit the lowest total since 1994, and that last low-point came in January of that year, a month when retail is expected to bottom-out after the holiday splurges.

More@latimes

Tiscali snubs music industry demands for names

Wednesday, July 12th, 2006

Internet service provider Tiscali on Tuesday rebuked demands by British music companies to reveal the names of some of its customers who allegedly used the network to illegally share songs.

The British Phonographic Industry (BPI) trade group said on Monday it had “unequivocal” evidence about 17 of Tiscali’s customers and 42 from fellow telecoms company Cable & Wireless to support its claims.

Tiscali, an Italy-based company with about 1.2 million broadband customers in the UK, said it had received only extracts of a screenshot of one of its customers and nothing to support the allegations against the 16 others.

More@reuters