Jobs on DRM and opening up FairPlay

Friday, February 9th, 2007

Steve Jobs on Tuesday issued a press release/essay/blog post, whatever it is, stating the three choices that Apple has in the future for furthering the adoption of digital music.

Jobs offers up three scenarios:

  • Carry on as we are, with multiple propriety formats, with consumers as the losers
  • Open up FairPlay to 3rd parties, with Apple and the consumer as losers
  • Remove DRM from the mix. Everyone’s a winner

    Bizarrely the option least expected, option three, Jobs seems most enthusiastic about.

    This is clearly the best alternative for consumers, and Apple would embrace it in a heartbeat. If the big four music companies would license Apple their music without the requirement that it be protected with a DRM, we would switch to selling only DRM-free music on our iTunes store. Every iPod ever made will play this DRM-free music.

    This is a bold statement by the head of Apple, with over a billion downloads from Itunes, all protected by their propriety FairPlay DRM, it seems unfathomable that Apple would really drop DRM when they already pretty much own the market, whether labels wanted them to or not. However what with Yahoo offering DRM free tracks and the buzz at Midem for dropping DRM, the pressure may be more on the labels themselves, and Jobs could be just paving the way for them. It’ll be interesting to watch the fallout from this article from all the different corners, RIAA, Majors, Microsoft(Zune), et al.

    Read the full article.

The Devil is in the details

Friday, February 9th, 2007

John Dee

exhibit 1)

This is John Dee – a leading 16th C intellectual, astronomer, astrologer, devout Christian and prolific occultist. He is probably the originator of archetypal wizard “He was tall and slender. He wore a gown like an artist’s gown, with hanging sleeves, and a slit…. A very fair, clear sanguine complexion… a long beard as white as milk. A very handsome man”. He was also (occasionally) in the pay of Queen Elizabeth the first, and I’ve heard rumours that he was also a spy, who’s code was 007.

Interesting guy – the occult side is what fascinates people the most of course… he went through a phase of Angelic communication, through a medium (and quite possibly charlatan) named Edward Kelley… angels dictating long passages (enough to fill several books) in Enochian (the angelic language) which were dutifully transcribed, collected, collated.

I came across some of these a couple of years back – page after page after page of incredible detail – intricate symbols and diagrams like sudokus on acid, and immediately the computer programmer in me kicked in with something approaching recognition, and I thought “Oh my god, you poor bastard. What have you done?”

exhibit 2)

The modern Eula. Every time you buy a piece of music, a movie, software etc etc you are apparently entering into a contract… hundreds of lines of densely worded legalese will be secreted away somewhere, sometimes prominent, sometimes not. These artifacts are quite unique in the sphere of creative writing in that they’re specifically designed NOT to be read by the people who are supposed to read them.

AND NO ONE EVER READS THEM

They are still about communication though, at a different level. Here’s what I think: they are a veiled threat. They are the curse over the pharaoh’s tomb… they say “Tremble ye, for thou art bound by that which is beyonde thy reckoning, and if it is HIS will, ye shall render unto Satan that which is Satan’s”. There as been a bit of fuss recently over a report that Eulas are An epidemic of lawsuits waiting to happen... and really this should come as no surprise, if you have hundreds of millions of people regularly signing contracts that they’ve never read.

So.

Welcome to Nick Taylor’s Law of the Minimum: “Complexity arises from flawed assumptions”.

If an answer to a question is complicated, then you’re probably asking the wrong question. Poor old John Dee went off on (what was almost certainly) a wrong tangent, and having one of the most powerful minds of his era, was able to pursue it down blind alleys to an extent that would have floored a more conventional intellect far, far earlier. Today we have the collective wisdom of the most powerful legal minds that money can buy, constructing elaborate legal artifacts that no one ever reads, committing people to terms that they consistently break, and really don’t give a flying fuck about in any case.

Complexity has a fractal-like way of generating more complexity, and there is no end-point. Nothing resolves, you just wind up with endless self-generating caveats. As a programmer, you develop an instinct for this – whenever you see a mad bit of code, you generally know that in the long run you’ll need to stop asking “how?” and start asking “why?”

I think that Eulas (like DRM) are (probably) the right answer to the wrong question. The question is, what’s the right question.

The answer to that one I suspect is “do we need the copyright cartels?”

Sorry.

Youtube is the New Punk.

Saturday, February 3rd, 2007

Oh dear god, I do hope not, but all the signs are there.

Every ten years or so, at the end of every decade, there seems to be this new wave of destructive creativity, widely derided by the old guard (where’s the skill? where’s the substance? that’s not music, it’s just a noise etc) but very popular among the next generation, basically because it short-cuts the learning curve and well… anyone can do it. And it’s their’s.

So we had acid-rock in the 60s, punk in the 70s, rave-music in the 80s… I once heard Tony Wilson say that every ten years there’s a new wave of music… and right now the music business is worse than it was at the worst part of the 80s, so we’re due for another revolution right now.

That was 1998 and unfortunately nothing happened.

We skipped a decade. However (checks watch) it’s that time again. Time for this decade’s flooding of the Nile, time for the longbows at Agincourt… Time for something new.

So. Take a look around, what do you see? Millions of kids on Myspace each with their own 15 pixels of fame, and more importantly, on youtube making their own videos out of other people’s music. It isn’t about money – it’s about getting as many other kids as possible going (like) OMG, WTF, LOL – check this out!!!.

But where’s the skill? Where’s the substance? That’s not music etc.

Actually, some them are pretty good
I think this girl managed to get some sort of TV deal off the back of her Youtube activities, but like, whatever.

Is this it? Must be incredibly exciting if you’re 17… and like, Doing It. If you’re not – if you’re still getting up to speed with your pre-CBS Strat, doing your umpteenth rehearsal for your umpteenth gig, you probably don’t quite get it – even though (and this tends to be the way with all these things) everyone’s invited.

Actually, I have a confession to make.

All of the above was just an elaborate roundabout way of leading into…

OMG, WTF, LOL… Check this out!!!

This guy takes lip-syncing into whole new dimensions of weirdness. This is the double-album, gate-fold, rock-opera concept-project… it takes the pinnacle of David Lynch’s art… the narrowed the gap between cosy and creepy, and refines it about 1000 times..

Fast forward to the 7th minute or so… Arrrghhhh!!! Holy Fuck.